"Horizon Field" by Antony Gormley, Vorarlberg, AustriaWe just returned from a week of alpine activities in the breathtakingly beautiful Vorarlberg region of Austria. The last thing I expected to encounter in this winter wonderland was installation art, but encounter it we did.
Antony Gormley's Horizon Field is a "landscape intervention" comprised of 100 life-sized cast iron human figures, all placed 6,689 feet above sea level in an area of over 93 square miles. The sculptures were scattered throughout the areas we skied, bearing silent witness to the extraordinary snowfall of this particular winter.
Mother Nature seemed to play along. Some sculptures were buried up to their shoulders in snow. Others were surrounded by ski tracks, left by visitors gliding by for a closer look.
Antony Gormley's "Horizon Field," (embellished)Humans played along, as well. I had mixed feelings when I visited this festively decorated sculpture. Fun? Sure. Disrespectful of the work? Perhaps.
Apparently the local authorities think so too, making regular runs to patrol for and remove these human interventions.
For more images, details, and an FAQ with the artist, click here.
Gormley's two-year installation remains in place through April 2012.
Freshly finished clamshell boxes for "Moving Parts" (image: Frederick Nunley)Two years ago, we launched Moving Parts, the yearlong collaboration between Pyramid Atlantic Art Center and CityDance. Since then, the ten participating artists and handful of tenacious volunteers have been creating an edition of 50 custom clamshell boxes that house each artist’s edition of 50 artist books.
Clamshell boxes drying under weight (image: Frederick Nunley)When you work on a project of this scale in 3-hour increments twice a month, of course it takes time. What a treat it was, then, to recently immerse ourselves for five full days in a near-final push to finish the edition.
We made a lot of progress, completing a fresh batch of finished boxes, and covering all remaining components (trays, cases, foil-stamping).
Once again, our über-volunteer Frederick Nunley was on the scene, lending not only his skilled handwork to the task, but steady and appreciated enthusiasm for the project.
A big thank you to Gretchen Schermerhorn for hosting us in Pyramid’s studios, and to others who showed up to help, including Kieu Lam, Sarah Levine, and Moira McCauley.
When I return to the US in a few months, we plan to finish the project. All that remains are some boxes and the project catalogs. With a little help from friends, these too will get done. And then it’s on to getting the edition into collectors’ hands, an even longer process!
Ever wonder what it takes to pull off a large-scale installation? I just found out, thanks to the many people involved in bringing Grace’s Garden to life. On behalf of microWave Project, an organization that matches artists with unique and public opportunities, Grace is now on exhibit in the entrance foyer of Huntington Mall.
I was one of two artists invited to create a fashion-inspired installation in honor of the mall’s re-opening after a massive renovation and upgrade. A Torpedo Factory colleague, Lisa Schumaier, created a seasonal installation of recycled materials, A Recycled Fairytale.
Grace consists of hundreds of hand-made, -sewn, and -folded paper flowers from fine art and tissue papers. A local mall store, The RoseTree Boutique, contributed hundreds of paper shopping bags that were transformed into flowers and origami fans for Grace’s train. Hundreds of paper butterflies comprise her fascinator (hat) that “fly” up through the skylight in the 30-foot ceiling.
Installing "Grace's Garden" (image: Allison Nance)"Grace's Garden" (detail) by Kelly O'Brien (image: Allison Nance)
Handmade paper flowers for "Grace's Garden" (image: Allison Nance)The elements for Grace’s gown, fascinator, and train were started months ago in my home studio in Germany. Most everything was pre-cut, flat-packed and shipped to the US.
There, a virtual workshop of helpers hand-assembled flower petals, folded origami fans, and generally worked non-stop up to and through the four-day installation.
We topped the whole thing off with a red carpet gala, featuring a dancing flash mob and celebrity appearances. The best part for me was sitting quietly to the side to watch people’s reactions to Grace.
The best surprises were the grown men stopping to snap her picture (“My wife has to see this!”) and watching little kids react (“Look Mommy, butterflies!”).
Allison Nance of microWave Project, Kelly O'Brien, Lisa Schumaier ("A Recycled Fairytale"), and Mary Cook of microWave Project at Huntington Mall Gala
We even garnered a little media attention through the local newspaper and television news.
A project like this does not happen in a vacuum. This was truly a family and friends affair. Moms, dads, husbands, sisters, nieces, a brother-in-law, and lifelong friends were up to their elbows in paper for days on end. A very special thanks to my onsite installation team: Donna O’Brien, Mandy Gordon and Elizabeth Smiley. Not only did these three women put in some crazy hours with me, they each played crucial and unique roles throughout the process.
Mandy Gordon and "Grace" with her eyelash-protection gearDonna O'Brien and Kelly O'Brien in front of "Grace's Garden"
Mary Cook, Elizabeth Smiley, and Mandy Gordon folding RoseTree Boutique shopping bags into origami fans for "Grace's" trainAlso onsite helping were Mary Cook, Allison Nance, Melanie Cox, Kelsey MacDuff, Eric Cook, and Kevin Nance.
Behind-the-scenes flower-makers include: Katie Engen, Katelyn Engen, Brennah Engen, Eric Engen, Bill O’Brien, Rita Evans, and Lindsey MacDuff.
The folks at Huntington Mall could not have been more friendly or helpful. They are: Joe Johnston, Property Manager; Margi MacDuff, Marketing Director; the facilities management team of Devin Holland, Alfonzo Samples and Chris Muncy; and RoseTree Manager Kate McMullen.
The mall is owned by the Cafaro Company, with an equally awesome team: Leonard Bretcko, Director of Construction; Phil Boyd and Hank Picozzi of JJO Construction; Esther Buschau, Director of Corporate Marketing; and Mr. and Mrs. Cafaro themselves, who came out to help celebrate their mall's renaissance.
Phil Boyd, Roger Pahoresky, and Kelly O'Brien hanging "Grace's" swingBehind it all was my husband, Ian. His support made all the difference, before and during the installation. When I got his 4 a.m. text on that final night, “You WILL finish!” I knew everything was going to be fine.
The amount of work and generosity of spirit required to pull this off was, well…amazing. I’m humbled by what people were willing to contribute, thrilled to have the opportunity, and brimming with ideas on what I’d like to do next.
Grace’s Garden on exhibit at Huntington Mall, Barboursville, WV now through January 7, 2012.
I leave for West Virginia tomorrow to install my first large-scale paper sculpture installation. I’ve been commissioned by the dynamic duo behind microWave Project to create a fashion-inspired piece for the grand opening of a new shopping mall.
Paper flower studies for installation, "Grace's Garden," at Huntington MallWe (and I say “we” because this is taking a team of helpers!) will be creating a gown made of paper flowers for a mannequin sitting on a swing, over a field of paper flowers, with a 15-foot long paper train flying behind her.
The train will be made of deconstructed paper shopping bags (from our sponsor, naturally), folded into Japanese origami fans. She’ll be wearing a hat made of black velvet paper butterflies that fly up from her hat “through” the skylight in the mall’s ceiling.
I'm thrilled to have this opportunity! It's also wonderful to be sharing the spotlight with another installation artist, Lisa Schumaier. Her work is soulful, playful and unexpected. Lisa is creating a separate piece for the event and, from what I've heard, it's going to be amazing.
If you happen to be in the area, details are below. I’ll try to post images here and on Facebook of the work in progress, and certainly of the finished installation.
There's an invitation-only opening gala this Sunday night, but you can still see the installations through early January.
Huntington Mall Gala Opening, Barboursville, WV. December 4, 2011 – January 15, 2012.
Art in Public Spaces (APS) is a special effort by the Torpedo Factory Art Center to reach the community through art and educational opportunities. I'm honored to have my artist book, Baby Blue, included in their current exhibition: HearSee, a look at how artists interpret the five senses.
The exhibition runs December 1-31, 2011 in a brand new gallery space within the Torpedo Factory, Studio 9. Participating artists will be on hand to talk about their work at a reception on December 8th, 6-9 pm.
The last project I did before moving from the states was an installation for Art Whino's G40, called Grace in Full Bloom. Shortly after deinstalling, Grace got packed up in her very own custom box and tucked into our shipping container for the ride across the ocean.
Since landing here in Germany on July 1, she's remained in her box, up to her shoulders in pink packing peanuts, waiting patiently to come out and take her rightful spot in my studio. A couple of weeks ago - box cutter in hand - as I started unpacking her, I stopped mid-cut. It suddenly occurred to me: that's me in that box.
"Grace in Full Bloom" up to her neck in packing peanuts.Okay, not really me. But the part of myself that I consider the most sacred and core to who I am. Clearly, we (Grace and I) haven't been ready to come out of our box and settle into this new house. How could we, with all the chaos of the move and challenge of starting over, not to mention a dog bent on destroying anything he deems mine every time I leave the house?
Until that moment, I hadn't been able to put my finger on why I was keeping Grace under wraps. Nearly all of the unpacking was finished, but she remained safely ensconced. Once I realized this, it became very clear for me what to do: I needed to welcome Grace home. But first, I had to create a suitable environment for her.
Last week, I unleashed a swarm of book paper butterflies on my studio. They fly in from our front door, down behind the stairwell, and down to Grace's feet...
"Grace Finds Home" (installation in home studio), with Beverly Ryan's oil paining, "Dancing Through.""Grace Finds Home" (paper installation in home studio), detailAnother batch flies up out of a light fixture, across the wall and into our guest bedroom.
"Grace Finds Home" (paper installation in home studio)"Grace Finds Home" (paper installation in home studio)A fellow-G40 artist inspired the light fixture idea - he had metal butterflies made from spray paint cans swarming from a light fixture on the first floor.
"Grace Finds Home," paper installation in home studio (detail)The butterflies are die-cut from vintage French book texts. I had two copies of Le Mariage de Figaro Tome II, making serendipidous use of black and white photography in the book.
"Grace Finds Home," paper installation in home studio (detail)"Grace" now home
My friend Jen just reminded me that we stumbled onto an amazing little boutique on Rosa-Luxemburg Strasse in Berlin: LANGHEIN. Inge Langhein designs other-worldly confections for brides and ready-to-wear. Actually, it was the installation of her work in her boutique that took everything to the next level. Her dresses were suspended from an arching iron grid - a nesty dome across the ceiling - each piece floating gracefully like wearable art.
Am kicking myself that I didn't ask her if I could take a photo. This image that I found online doesn't do her work or her shop justice.
Inge Langhein's boutique, BerlinAnother gem was the exhibition by Terhi Heino, an installation artist from Helsinki. I love when artists elevate ordinary and recycled materials to the sublime. In Terhi's case, she uses fish fins, used tea bags, and mylar to fashion mesmerizing works, both tiny and room-sized.
Tea bag installation by Terhi HeinoMy hunger for paper dresses was nicely fed by her tea bag clothing hanging like drying laundry from wire hangers.
Skirt by Terhi HeinoAnd her mylar wall pieces look like giant icy crystals jutting from the wall.
Has it really been over three weeks since I last posted? August has been a whirlwind of unpacking, settling in, and home-focused activities. This past weekend, Ian and I ran off to Berlin for a few days to celebrate our fifth wedding anniversary. Little did I realize how much I needed to shake loose of the tremendous impact of our big transition and just go play.
View from our hotel in Mitte, Berlin
We chose Berlin over Paris (a sentimental favorite, since we were engaged in Paris), mainly because we wanted a place where most restaurants wouldn't be shut down or venues flooded with American tourists. Instead, we got a city full of galleries on sommerpause and European tourists. But complaining I am not! It was a terrific place to begin our commitment to get away monthly for a long weekend. That is, after all, one of the reasons we made this move: to get out and experience places that otherwise would be less accessible from our home in the US.
Museum Island, Berlin
Holocaust Memorial, Berlin (image: Ian Lowe)Instead of attempting to take in all the major sites off the bat, we organized our exploration of major districts by zeroing in on what galleries we wanted to see. Well, and which ones appeared to be open. It's a fun way to see a city, fueled by something we're both passionate about. Some good resources helped us find our way, including ArtUpdate.com/Berlin and the iPhone app EyeOut.
Over three days, we entered probably twenty galleries, although we peered in the windows of far more. The search for many was not obvious - tucked back in courtyards, down alleys, and up flights of stairs only accessible by ringing a bell and being buzzed in.
Love the colors in the U-Bahn stations, Berlin
U-Bahn station, Berlin (image: Ian Lowe)Alexanderplatz U-Bahn station, Berlin (image: Ian Lowe)U-Bahn station, Berlin (image: Ian Lowe)Once inside, people were generally welcoming, if not eager to tell us about the art. The folks at Figge Von Rosen Galerie were particularly engaging and friendly, and we discovered the amazing photography of Luzia Simons at Alexander Ochs Galleries.
Berlin is, like any major city I suppose, one part gentrified, two parts gritty edge. The energy I felt there, though, was different - a kind of optimistic, happy, focused buzz of people busy getting on with the business of rebirth and reinvention. Huge swaths of the city are still rebuilding post-Wall, morphing from Cold War wasteland to thriving cafe society. This took me by surprise. I guess I didn't realize there was so much active recovery still going on there.
Potsdammer Platz, Berlin (image: Ian Lowe)
Kunsthaus Tacheles, Berlin
One unexpected discovery was what must have been the original inspiration for Art Whino's G40 summit. Since 1990, Kunsthaus Tacheles has been a center for artists of all walks, but particularly street art or new brow. Tacheles is Yiddish for telling it like it is. The venue's website says it best:
After the Berlin Wall came down in November 1989, a subculture which had its main focus on autonomy, spontaneity and improvisation arose in the former East Berlin areas Mitte, Prenzlauer Berg and Friedrichshain. Artists and individualists from all over the world used the plurality of available free spaces to put alternative lifestyles to the test.
Kunsthaus Tacheles, Berlin
Kunsthaus Tacheles, BerlinTacheles' artists are now in danger of being evicted by developers. While certain aspects of the space does the brand no favors (the stairwells were pretty rank), it would be a shame to see what Tacheles represents be pushed underground or marginalized.
Ian Lowe at Alexandr Rodin's Global Warning exhibition, Kunsthaus Tacheles, BerlinAnother delight was the road trip between Königstein and Berlin through endless wind turbine farms. What is it about these giant sentinels that mesmerizes me? Surely there's an artist book about them in my future. For now, I'm delighted with some of my images and am seriously considering a road trip expressly for the purpose of chasing them up close and personal. We got pretty close at a rest stop or two.
Wind turbines enroute to BerlinWind turbines enroute to BerlinWind turbines enroute to Berlin
In doing research for a project later this year, I'm reminded not to abandon my esthetic. The project calls for working in ways that are much bigger and bolder than I'm used to. However, it doesn't mean that I can't stay true to who I am in the process.
The details will remain a bit of a mystery here until the project is more official, but for now, let this fabulous video of Violise Lunn's work in paper couture be a hint and an inspiration. The narration is in French, but even if you don't understand the words, the images speak for themselves.
Café Hauptwache, FrankfurtDrove into Frankfurt today to meet the AWCT's Art & Culture group for coffee. We met at the historic Café Hauptwache, directly above the Hauptwache UBahn (subway) station. After navigating a nearby parking garage (driving in these narrow garages still feels harrowing), I found my group. Once again, I got a warm welcome from a very international set of women, with only a few of us from the US.
The real reason I drove, however, was my next stop: Boesner Art. And what an art store! Their tagline is accurate:
Boesner Art Supply: professional artists materials from the international market leader at unusually low prices.
Apparently, they're a wholesaler, although the prices seemed retail (in euros, everything seems reasonable until you remember to add another 40% for the exchange rate). Nonetheless, I received my official wholesale ID on the spot, with my name, address, and barcode efficiently printed onto the little plastic card.
There are two floors of warehouse space, chock full of art materials for every medium: printmaking, painting, sculpture, metalwork, ceramics, woodworking, mozaic, and so on. After wandering around in their massive paper area with my mouth hanging open for awhile, I got my wits about me and started recognizing comfortingly familiar brands such as Arches, Hahnemühle, and Strathmore. Stacked to the ceiling, mind you, but familiar just the same. Along with your fine art and handmade papers, you can buy Kutrimmers, printing presses, and other over-sized equipment that I've only been able to order online in the states.
Boesner's Frankfurt location
There's a nice adhesives selection, where I chose a 1000 ml tub of Guardi dispersion glue, the equivalent of ph neutral PVA - or so the description indicates.
The bookbinding materials are fairly robust for a place that's not a specialty supplier, so I was able to restock my large spool of buchbinderzwirn (binder's thread) that our dog recently ate.
I couldn't resist three little red paper notebooks in different sizes, with old-school blank labels on front.
And then there are the artsy gifts I scored that I can't reveal, in case their future recipients are reading this post.
This was the first of many trips I'm sure I'll be making to Boesner's. It's only 20 minutes from home by car, dangerously close. Today's goal was to find it, and get the lay of the land. Check and check. No more foraging required, now that I've found the mothership.
Sunday, January 29, 2012 at 07:45AM 
"Horizon Field" by Antony Gormley, Vorarlberg, AustriaWe just returned from a week of alpine activities in the breathtakingly beautiful Vorarlberg region of Austria. The last thing I expected to encounter in this winter wonderland was installation art, but encounter it we did.
Antony Gormley's "Horizon Field," (embellished)Humans played along, as well. I had mixed feelings when I visited this festively decorated sculpture. Fun? Sure. Disrespectful of the work? Perhaps.
